淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 28 筆
第 83 頁
... emotion ' is no longer the same emotion in real life . Since it is a ' kindred ' one that has been formed " by a species of reaction , " we may conclude that Wordsworth does make a distinction between biography ( emotion ) and esthetic ...
... emotion ' is no longer the same emotion in real life . Since it is a ' kindred ' one that has been formed " by a species of reaction , " we may conclude that Wordsworth does make a distinction between biography ( emotion ) and esthetic ...
第 84 頁
... emotion , and that its " literal " meaning is an assertion about the emotions held by the individual poet . ( Frye 97 ) This misconception about sincerity I take to be a second kind , which is even more wilfully destructive than the ...
... emotion , and that its " literal " meaning is an assertion about the emotions held by the individual poet . ( Frye 97 ) This misconception about sincerity I take to be a second kind , which is even more wilfully destructive than the ...
第 87 頁
... emotion . He does make a distinction of ' emotion ' ( which is material ) and ' feelings ' ( which are formal ) , but does not carry it through even within the same " Tradition " essay ( Adams 786-87 ) . Indeed , what he objects to is ...
... emotion . He does make a distinction of ' emotion ' ( which is material ) and ' feelings ' ( which are formal ) , but does not carry it through even within the same " Tradition " essay ( Adams 786-87 ) . Indeed , what he objects to is ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York