淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 42 筆
第 64 頁
... expression . One group , represented by Chao Ping - wen ( 1159-1232 ) and Wang Jo - hsü E ( 1174-1243 ) , is said to have emphasized substance over expression , the use of less flowery language in comprehensible , classical style , and ...
... expression . One group , represented by Chao Ping - wen ( 1159-1232 ) and Wang Jo - hsü E ( 1174-1243 ) , is said to have emphasized substance over expression , the use of less flowery language in comprehensible , classical style , and ...
第 80 頁
... expressions merely for the sake of expression . As a result , according to Liu Hsieh again , the one tends toward simplicity and the other toward ornateness . Thus : " A sincere writer deploys words to express his creative intent ; a ...
... expressions merely for the sake of expression . As a result , according to Liu Hsieh again , the one tends toward simplicity and the other toward ornateness . Thus : " A sincere writer deploys words to express his creative intent ; a ...
第 265 頁
expression of the sexual source of her power . Here , the appearance of the neighbor allows the story to take on broad social significance . The community says she's a fox , and so the audience knows she's inherently evil . The story ...
expression of the sexual source of her power . Here , the appearance of the neighbor allows the story to take on broad social significance . The community says she's a fox , and so the audience knows she's inherently evil . The story ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York