淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 18 筆
第 150 頁
... fantastic . The fantastic , as Rosemary Jackson points out , has constantly been dismissed by critics as being an embrace of madness , irrationality or barbarism and has been exiled to the margins of literature . The tradition of the ...
... fantastic . The fantastic , as Rosemary Jackson points out , has constantly been dismissed by critics as being an embrace of madness , irrationality or barbarism and has been exiled to the margins of literature . The tradition of the ...
第 152 頁
... fantastic texts , and tries to conceive of the fantastic merely as an ingenious experiment with narrative structure , image- building or play of purely linguistic kind . This " formalistic " criticism is best illustrated by a recent ...
... fantastic texts , and tries to conceive of the fantastic merely as an ingenious experiment with narrative structure , image- building or play of purely linguistic kind . This " formalistic " criticism is best illustrated by a recent ...
第 154 頁
... fantastic is defined in " negative relationality ” with such prevalent cultural frame of reference . The fantastic uses socio - cultural frameworks not to arrive at certain metaphysical certitude but to effect a relativizing ...
... fantastic is defined in " negative relationality ” with such prevalent cultural frame of reference . The fantastic uses socio - cultural frameworks not to arrive at certain metaphysical certitude but to effect a relativizing ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York