淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 42 筆
第 80 頁
... feeling [ imagination ? ] is non - poetry " ( Abrams 298 ) . ' Intense ' experience , however , is not totally irrelevant to poetic excellence . If we see that writing involves discipline not only in the craft of writing , but also of ...
... feeling [ imagination ? ] is non - poetry " ( Abrams 298 ) . ' Intense ' experience , however , is not totally irrelevant to poetic excellence . If we see that writing involves discipline not only in the craft of writing , but also of ...
第 81 頁
... feeling or emotion ; they wrote with extravagant ornament merely to win worldly fame . This is feigning emotion for composition . A work of literary art , therefore , will be simple and truthful if the writer tries to present sincere ...
... feeling or emotion ; they wrote with extravagant ornament merely to win worldly fame . This is feigning emotion for composition . A work of literary art , therefore , will be simple and truthful if the writer tries to present sincere ...
第 82 頁
... feeling to words after it has stirred in his mind . The reader , on the other hand , enters the feeling through the words . Tracing the waves back to their source , he will surely discover it through it be hidden and obscure . Although ...
... feeling to words after it has stirred in his mind . The reader , on the other hand , enters the feeling through the words . Tracing the waves back to their source , he will surely discover it through it be hidden and obscure . Although ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York