淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 28 筆
第 171 頁
... heroes view their past through the complaints of their victims . There are thirty - two complaints about unjust killings ; each of these murders has been committed by the expeditioners . When all of the thirty - two complaints have been ...
... heroes view their past through the complaints of their victims . There are thirty - two complaints about unjust killings ; each of these murders has been committed by the expeditioners . When all of the thirty - two complaints have been ...
第 172 頁
... heroes of the book , are idealized heroes , like Aeneas , but they mainly engage in planning and scheming , and do not take part in actions . It is not difficult for us to understand why Virgil and Lo Mou - teng create an imaginary ...
... heroes of the book , are idealized heroes , like Aeneas , but they mainly engage in planning and scheming , and do not take part in actions . It is not difficult for us to understand why Virgil and Lo Mou - teng create an imaginary ...
第 175 頁
... heroes would appear flat or two - dimensional , while through it the heroes . gaining self - knowledge have become more human . While Virgil following Homer places the Hades chapter at the center point , connecting the first part of the ...
... heroes would appear flat or two - dimensional , while through it the heroes . gaining self - knowledge have become more human . While Virgil following Homer places the Hades chapter at the center point , connecting the first part of the ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York