淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 85 筆
第 98 頁
... human beings live on the subsidies of their imagination . The main objectives of the book are : why do human beings need fiction , why are human beings set on boundary - crossing , and why do they want to overstep themselves ...
... human beings live on the subsidies of their imagination . The main objectives of the book are : why do human beings need fiction , why are human beings set on boundary - crossing , and why do they want to overstep themselves ...
第 99 頁
... human beings . We also have a generative anthropology as advanced by Eric Gans , who starts out with the minimum assumption of what he calls the " originary scene " in which the killed animal was the source of potential conflict which ...
... human beings . We also have a generative anthropology as advanced by Eric Gans , who starts out with the minimum assumption of what he calls the " originary scene " in which the killed animal was the source of potential conflict which ...
第 261 頁
... human graves . Hsiao seems to be gradually transforming into a fox himself . The nature of this transformation , however , is not the same as the shapeshifting powers of foxes . Here , Hsiao is powerless , as he becomes less human ...
... human graves . Hsiao seems to be gradually transforming into a fox himself . The nature of this transformation , however , is not the same as the shapeshifting powers of foxes . Here , Hsiao is powerless , as he becomes less human ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York