淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 12 筆
第 75 頁
... lived experi- ence ( Erlebnis ) . Indeed , " intense , lived experience " is irrelevant to literary excellence unless the raw experience is aesthetically processed in the alembic of his creative mind . Instead of " biographical ...
... lived experi- ence ( Erlebnis ) . Indeed , " intense , lived experience " is irrelevant to literary excellence unless the raw experience is aesthetically processed in the alembic of his creative mind . Instead of " biographical ...
第 79 頁
... lived experience . Liu's expression ch'ieh- ch'ing approximates " fidelity to felt truth " or sincerity , and we can be sure that his judgment is based , not at all on biographies , but on the poems themselves . 2. Erlebnis ( The ( c ...
... lived experience . Liu's expression ch'ieh- ch'ing approximates " fidelity to felt truth " or sincerity , and we can be sure that his judgment is based , not at all on biographies , but on the poems themselves . 2. Erlebnis ( The ( c ...
第 82 頁
... lived experience . In the above quotation , except perhaps the first part of the first ch'ing , all of the words ch'ing ( emotion ) , hsin ( mind / heart ) , and chih ( intent ) are formalized feeling or emo- tion , to be strictly ...
... lived experience . In the above quotation , except perhaps the first part of the first ch'ing , all of the words ch'ing ( emotion ) , hsin ( mind / heart ) , and chih ( intent ) are formalized feeling or emo- tion , to be strictly ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York