淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 6 筆
第 140 頁
... Metafiction Neither " Gloomy Soul " nor " The General's Cenotaph " relates complete , organized historical events or vivid , trustworthy historical facts . They seem more interested in exploring the possibility of new narrative modes ...
... Metafiction Neither " Gloomy Soul " nor " The General's Cenotaph " relates complete , organized historical events or vivid , trustworthy historical facts . They seem more interested in exploring the possibility of new narrative modes ...
第 141 頁
... Metafiction , according to its non - reflective , non - axiological characteristic , becomes a narrative form of metahistory . Metafiction does not seek for objective truth or didactic effects ; it is merely a parody of historical form ...
... Metafiction , according to its non - reflective , non - axiological characteristic , becomes a narrative form of metahistory . Metafiction does not seek for objective truth or didactic effects ; it is merely a parody of historical form ...
第 143 頁
... metafiction , we cannot find " a subject confident of his / her ability to know the past with any certainty . This is not a transcending of history , but a problematized inscribing of subjectivity into history " ( Hutcheon 66 ) . Based ...
... metafiction , we cannot find " a subject confident of his / her ability to know the past with any certainty . This is not a transcending of history , but a problematized inscribing of subjectivity into history " ( Hutcheon 66 ) . Based ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York