淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 73 筆
第 17 頁
... ( mind - and - heart ) , although hsin is considered " the seat of the affections ( ch'ing ) as well as of thought or reflective consciousness ( ssu ) , ” and is a concept that has " associations which were visceral rather than cere- bral ...
... ( mind - and - heart ) , although hsin is considered " the seat of the affections ( ch'ing ) as well as of thought or reflective consciousness ( ssu ) , ” and is a concept that has " associations which were visceral rather than cere- bral ...
第 82 頁
... mind and achieved in the work , and since we have no way and no business of getting into the poet's mind , it must be found in the work . Liu Hsieh says with conviction about the possi- bility of discovering the emotion ( ch'ing ) or mind ...
... mind and achieved in the work , and since we have no way and no business of getting into the poet's mind , it must be found in the work . Liu Hsieh says with conviction about the possi- bility of discovering the emotion ( ch'ing ) or mind ...
第 89 頁
... mind or the consciousness created in his work . Instead , criticism is made to dwell mostly on technical subtleties ... mind or identity of the creative mind with the common matrix of life and nature . Cleansed of trivial , egotistic ...
... mind or the consciousness created in his work . Instead , criticism is made to dwell mostly on technical subtleties ... mind or identity of the creative mind with the common matrix of life and nature . Cleansed of trivial , egotistic ...
其他版本 - 查看全部
常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York