淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 28 筆
第 176 頁
... myth apparent . For we have seen that the synchro - diachronic structure of the myth permits us to organize it into diachronic sequences which should be read synchronically . Thus , a myth exhibits a " slated " structure which seeps to ...
... myth apparent . For we have seen that the synchro - diachronic structure of the myth permits us to organize it into diachronic sequences which should be read synchronically . Thus , a myth exhibits a " slated " structure which seeps to ...
第 184 頁
... Myth ( the second chain ) turns " the language object " ( the first chain ) into " a tamed richness " for the myth to use . " The language object is " rich " in the sense that all its meanings are available as nourishment for the myth ...
... Myth ( the second chain ) turns " the language object " ( the first chain ) into " a tamed richness " for the myth to use . " The language object is " rich " in the sense that all its meanings are available as nourishment for the myth ...
第 188 頁
... myth in modern Western society cannot be applied to myth in Confucian China , if those rules are convincingly established . Indeed , all the basic features of myth described by Barthes , e.g. , myth as " a type of speech chosen by ...
... myth in modern Western society cannot be applied to myth in Confucian China , if those rules are convincingly established . Indeed , all the basic features of myth described by Barthes , e.g. , myth as " a type of speech chosen by ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York