淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 75 筆
第 24 頁
... narrative elements that directly bear upon our understanding of the inner world of a character . The reason for ... Narrative : A Preliminary Statement on Methodology , " Tamkang Review 6-7 ( 1975-1976 ) : 229-245 and Andrew H. Plaks's ...
... narrative elements that directly bear upon our understanding of the inner world of a character . The reason for ... Narrative : A Preliminary Statement on Methodology , " Tamkang Review 6-7 ( 1975-1976 ) : 229-245 and Andrew H. Plaks's ...
第 49 頁
... narrative structure , the attitude toward traditional material , characterization , and language behavior , the Chinese mode of writing obviously shows a narrative orientation quite different from that of the Western novel . Some ...
... narrative structure , the attitude toward traditional material , characterization , and language behavior , the Chinese mode of writing obviously shows a narrative orientation quite different from that of the Western novel . Some ...
第 256 頁
... narratives compiled largely in the 3rd to 6th centuries . The later development of consciously fictional narrative art during the T'ang Dynasty ( 618-906 ) gave rise to a flowering of longer , more complex narratives , ch'uan - ch'i ...
... narratives compiled largely in the 3rd to 6th centuries . The later development of consciously fictional narrative art during the T'ang Dynasty ( 618-906 ) gave rise to a flowering of longer , more complex narratives , ch'uan - ch'i ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York