淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 36 筆
第 245 頁
... narrator " master , " an expression of his stubborn adherence to the traditional sense of social hierarchy , Hsiang - lin Sao's addressing the narrator directly suggests an attempt on her part to break the wall that exists between ...
... narrator " master , " an expression of his stubborn adherence to the traditional sense of social hierarchy , Hsiang - lin Sao's addressing the narrator directly suggests an attempt on her part to break the wall that exists between ...
第 246 頁
... narrator , not by any insensitivity on the part of a peasant . By using the phrase " I am not sure , " he tries to free himself of " all responsibility ” 23 and thereby to keep his mind undisturbed . It is worth noting that in both ...
... narrator , not by any insensitivity on the part of a peasant . By using the phrase " I am not sure , " he tries to free himself of " all responsibility ” 23 and thereby to keep his mind undisturbed . It is worth noting that in both ...
第 250 頁
... narrator's narrative act.32 ) It has been noted by critics that Lu Hsün's " distortion " device , which we analyzed in our discussion of the closure of " Old Home , " is confined only to the first collection Na - han , 33 whereas the ...
... narrator's narrative act.32 ) It has been noted by critics that Lu Hsün's " distortion " device , which we analyzed in our discussion of the closure of " Old Home , " is confined only to the first collection Na - han , 33 whereas the ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York