淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 20 筆
第 79 頁
... objective fact or historical truth is not necessarily easier to come by than poetic truth . When the reader in his creative participation per- ceives consistency not only among elements within the work but also between the signification ...
... objective fact or historical truth is not necessarily easier to come by than poetic truth . When the reader in his creative participation per- ceives consistency not only among elements within the work but also between the signification ...
第 87 頁
... objective correlative , " and led to our neglect of the second part . The passage in question reads : The only way of expressing emotion in the form of art is by finding an objective correlative ; in other words , a set of objects , a ...
... objective correlative , " and led to our neglect of the second part . The passage in question reads : The only way of expressing emotion in the form of art is by finding an objective correlative ; in other words , a set of objects , a ...
第 131 頁
... objective worlds . It is truly idealistic and romantic , in that the subject in these works is sublimated as the real historical power rather than being frustrated by history . Adorno . alleges , " Traumatized by art , the subject is ...
... objective worlds . It is truly idealistic and romantic , in that the subject in these works is sublimated as the real historical power rather than being frustrated by history . Adorno . alleges , " Traumatized by art , the subject is ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York