淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 88 筆
第 30 頁
... poetic relationship " as such : the poetic history " is held to be indistinguishable from poetic influence , since strong poets make that history by misreading one another , so as to clear imaginative space for themselves . " 4 The key ...
... poetic relationship " as such : the poetic history " is held to be indistinguishable from poetic influence , since strong poets make that history by misreading one another , so as to clear imaginative space for themselves . " 4 The key ...
第 364 頁
... poetic form called tanka , which is arranged in a pattern of 5 7 5 7 7 syllables , making thirty - one syllables in all , became a favorite form of various poets represented in Collection of Poems of Ancient and Modern Times ( Kokinshu ) ...
... poetic form called tanka , which is arranged in a pattern of 5 7 5 7 7 syllables , making thirty - one syllables in all , became a favorite form of various poets represented in Collection of Poems of Ancient and Modern Times ( Kokinshu ) ...
第 371 頁
... poet to appreciate . In addition , the association of the human world , which is represented by the faces , with the natural world , which is represented by the petals , indicates that the poetic world of imagination- the poem - compre ...
... poet to appreciate . In addition , the association of the human world , which is represented by the faces , with the natural world , which is represented by the petals , indicates that the poetic world of imagination- the poem - compre ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York