淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 89 筆
第 69 頁
... poets mostly imitated him in what is known as ' Hsi - k'un style ' poetry . They were completely lacking in the spirit of classic elegance and in broadminded generosity . Instead , they mocked Tu Fu , calling him a village pedant . This ...
... poets mostly imitated him in what is known as ' Hsi - k'un style ' poetry . They were completely lacking in the spirit of classic elegance and in broadminded generosity . Instead , they mocked Tu Fu , calling him a village pedant . This ...
第 80 頁
... Poets wrote to express their feeling ; the tz'u and fu writers fabricated emotion to make up their literary works . How do we know this ? The feng and ya of the Shih - ching poetry rose because the poets had their sincere intent and ...
... Poets wrote to express their feeling ; the tz'u and fu writers fabricated emotion to make up their literary works . How do we know this ? The feng and ya of the Shih - ching poetry rose because the poets had their sincere intent and ...
第 369 頁
... poets , that of the indissoluble link between words and things , which is to say the apprehension of language as ... poets , like Chinese writers , advocated a laconic use of words . The emphasis of Western poets on the principle of ...
... poets , that of the indissoluble link between words and things , which is to say the apprehension of language as ... poets , like Chinese writers , advocated a laconic use of words . The emphasis of Western poets on the principle of ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York