淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 52 筆
第 44 頁
... reason for her fiery temper . Evidently , in the view of Eileen Chang , there is a blind - spot in Hsi - feng's ... reason . Further- more , through Ch'i - ch'ao's hysterical helplessness , the author prepares us for the further ...
... reason for her fiery temper . Evidently , in the view of Eileen Chang , there is a blind - spot in Hsi - feng's ... reason . Further- more , through Ch'i - ch'ao's hysterical helplessness , the author prepares us for the further ...
第 101 頁
... reason , is being presented again . This may not have posed a problem for a closed world , such as the Greek cosmos or the Medieval world picture . The moment , however , when open- endedness became the overriding feature of the world ...
... reason , is being presented again . This may not have posed a problem for a closed world , such as the Greek cosmos or the Medieval world picture . The moment , however , when open- endedness became the overriding feature of the world ...
第 152 頁
... reason . The latter is the explanation that Chinese criticism has found for the fantastic . 9 This also seems to be what Todorov does when he tries to define the fantastic . A captive of the empiricist way of thinking , he argues that ...
... reason . The latter is the explanation that Chinese criticism has found for the fantastic . 9 This also seems to be what Todorov does when he tries to define the fantastic . A captive of the empiricist way of thinking , he argues that ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York