淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 43 筆
第 154 頁
... reference . The fantastic uses socio - cultural frameworks not to arrive at certain metaphysical certitude but to effect a relativizing confrontation of heterogeneous elements and discourses in a given culture.12 The fantastic and ...
... reference . The fantastic uses socio - cultural frameworks not to arrive at certain metaphysical certitude but to effect a relativizing confrontation of heterogeneous elements and discourses in a given culture.12 The fantastic and ...
第 388 頁
... reference to the whole , yet cannot grasp the whole without reference to the parts therefore , the interpreter is always running in the circle ( or , rather , the chain ) of parts - and - whole . This circle occurs indeed in both ...
... reference to the whole , yet cannot grasp the whole without reference to the parts therefore , the interpreter is always running in the circle ( or , rather , the chain ) of parts - and - whole . This circle occurs indeed in both ...
第 404 頁
... reference involves the process of transcodification : a given semantic unit ( say , a ' door ' ) is signified by the linguistic or gestural system rather than by the architectural or pictorial , as often occurs in mime . " See The ...
... reference involves the process of transcodification : a given semantic unit ( say , a ' door ' ) is signified by the linguistic or gestural system rather than by the architectural or pictorial , as often occurs in mime . " See The ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York