淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 78 筆
第 3 頁
... ( relation - oriented ) : " The focus is not fixed on any individual nor on society , but on the particular nature of the reciprocal relations between individuals who interact with each other . The focus is placed upon the relationship ...
... ( relation - oriented ) : " The focus is not fixed on any individual nor on society , but on the particular nature of the reciprocal relations between individuals who interact with each other . The focus is placed upon the relationship ...
第 30 頁
... relation- ship between reading and writing . A modern Chinese novella , Eileen Chang's The Golden Cangue1 , is chosen as the basic text which is , to many2 , strongly " influenced " by the classical Chinese novel , Tsao Hsueh - chin's ...
... relation- ship between reading and writing . A modern Chinese novella , Eileen Chang's The Golden Cangue1 , is chosen as the basic text which is , to many2 , strongly " influenced " by the classical Chinese novel , Tsao Hsueh - chin's ...
第 155 頁
... relation to a discursive formation which has dominated critical thoughts and literary practice in contemporary China , which is often dubbed " socialist realism . " It is the discourse of socialist realism and its epistemological and ...
... relation to a discursive formation which has dominated critical thoughts and literary practice in contemporary China , which is often dubbed " socialist realism . " It is the discourse of socialist realism and its epistemological and ...
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appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York