淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 38 筆
第 56 頁
... Signs not only stand for the real but replace and subvert it . Thus , what we have in the stereotype of the bad - last ruler is nothing but a composite of signs . When a writer tries to model his character on this specific type of ...
... Signs not only stand for the real but replace and subvert it . Thus , what we have in the stereotype of the bad - last ruler is nothing but a composite of signs . When a writer tries to model his character on this specific type of ...
第 59 頁
... signs he produces , it is only natural that he should fight fiercely for the patent right of his signs . In a sense , the notion of individual property is also tied up with the bourgeois competitive spirit which characterizes capitalist ...
... signs he produces , it is only natural that he should fight fiercely for the patent right of his signs . In a sense , the notion of individual property is also tied up with the bourgeois competitive spirit which characterizes capitalist ...
第 397 頁
... sign systems in the theatre , i.e. , language and acting . These two sign systems not only check but also enrich each other . Veltruský regards the relative weight of the two poles of this antinomy as variable : the dominance of either ...
... sign systems in the theatre , i.e. , language and acting . These two sign systems not only check but also enrich each other . Veltruský regards the relative weight of the two poles of this antinomy as variable : the dominance of either ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York