淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 83 筆
第 46 頁
... story ends with Ch'i - ch'ao's lonely death , which finally allows the children to lead their own lives . To our surprise , the social critique theme , the critique of money as destructive force dominating the society throughout history ...
... story ends with Ch'i - ch'ao's lonely death , which finally allows the children to lead their own lives . To our surprise , the social critique theme , the critique of money as destructive force dominating the society throughout history ...
第 157 頁
... story " The April 3 Event , " a somewhat drab story from an aesthetic perspective , takes on significance when it is situated against this epistemologi- cal subtext of " event . " Nothing that can be called an event happens in the story ...
... story " The April 3 Event , " a somewhat drab story from an aesthetic perspective , takes on significance when it is situated against this epistemologi- cal subtext of " event . " Nothing that can be called an event happens in the story ...
第 253 頁
... Story , " Lu Xun and His Legacy , ed . Leo Ou - fan Lee ( Berkeley : University of California Press , 1985 ) , p . 39. Also see Anderson's The Limits of Realism ( Berkeley : University of California Press , 1990 ) , pp . 86-87 . 19. See ...
... Story , " Lu Xun and His Legacy , ed . Leo Ou - fan Lee ( Berkeley : University of California Press , 1985 ) , p . 39. Also see Anderson's The Limits of Realism ( Berkeley : University of California Press , 1990 ) , pp . 86-87 . 19. See ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York