淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 59 筆
第 15 頁
... turn being into advantage , and turn non - being into utility.3 31 These examples of common sense call our attention to the often neglected positive significance of those ostensively negative concepts such as emptiness , non - being and ...
... turn being into advantage , and turn non - being into utility.3 31 These examples of common sense call our attention to the often neglected positive significance of those ostensively negative concepts such as emptiness , non - being and ...
第 63 頁
... turns of phrase , and the Chiang - hsi style of composition , initially inspired by the precepts of Huang T'ing - chien . Poems written in the latter style , with their clean classical form , tended however to degenerate into mechanical ...
... turns of phrase , and the Chiang - hsi style of composition , initially inspired by the precepts of Huang T'ing - chien . Poems written in the latter style , with their clean classical form , tended however to degenerate into mechanical ...
第 382 頁
... turning his " intention " into " extention , " which as an external entity can be further read by others , whom we call readers . If one of the readers becomes a critic , that is , becomes one who expresses his idea in oral or written ...
... turning his " intention " into " extention , " which as an external entity can be further read by others , whom we call readers . If one of the readers becomes a critic , that is , becomes one who expresses his idea in oral or written ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York