淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 26 筆
第 35 頁
... verses there feemeth no difference at all , fince the one hath the very selfe same woordes that the other hath , and yet the latter verse is neyther true nor pleasant , and the first verse may passe the musters . The fault of the latter ...
... verses there feemeth no difference at all , fince the one hath the very selfe same woordes that the other hath , and yet the latter verse is neyther true nor pleasant , and the first verse may passe the musters . The fault of the latter ...
第 頁
... verses in late Old English, Early Middle English, and Middle English alliterative verse can be explained as vestiges of a metrical system that counted positions rather than accentual stresses. Middle English metrists have always debated ...
... verses in late Old English, Early Middle English, and Middle English alliterative verse can be explained as vestiges of a metrical system that counted positions rather than accentual stresses. Middle English metrists have always debated ...
第 135 頁
... verse in English. Freedom in verse is a relative and not an absolute prosodic phenomenon. One might escape the beat of the metronome by discovering the fluid cadences of Dante or Arnaut, by writing accentual rather than accentual-syllabic ...
... verse in English. Freedom in verse is a relative and not an absolute prosodic phenomenon. One might escape the beat of the metronome by discovering the fluid cadences of Dante or Arnaut, by writing accentual rather than accentual-syllabic ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York