淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 85 筆
第 51 頁
... writing of a hsiao - shuo is not so much the act of original invention as that of reworking and rewriting the extant material . That such a view of hsiao - shuo continued to serve as the underpinning of the hsiao - shuo writing in pre ...
... writing of a hsiao - shuo is not so much the act of original invention as that of reworking and rewriting the extant material . That such a view of hsiao - shuo continued to serve as the underpinning of the hsiao - shuo writing in pre ...
第 59 頁
... writing cannot be too hastily dismissed . The ontological roots of these two modes of narrative have a decisive effect on the way that they are structured and help ... writing is to set oneself in WRITING AND REWRITING IN THE HSIAO - SHUO 59.
... writing cannot be too hastily dismissed . The ontological roots of these two modes of narrative have a decisive effect on the way that they are structured and help ... writing is to set oneself in WRITING AND REWRITING IN THE HSIAO - SHUO 59.
第 80 頁
... writing involves discipline not only in the craft of writing , but also of the writing personality , we should also see that ordeals or various kinds may contribute to the chastening of the creative mind . Like many Chinese writers ...
... writing involves discipline not only in the craft of writing , but also of the writing personality , we should also see that ordeals or various kinds may contribute to the chastening of the creative mind . Like many Chinese writers ...
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常見字詞
appears basic become beginning called Chang Chao Chapter character characterization China Chinese classical collection common concept concern Confucian consciousness considered criticism culture death described discourse discussion dragon dream Dynasty emotion English essay event example existence experience expression fact fantastic feeling fiction hand heroes hsiao-shuo human important individual interest interpretation Japanese kind language later literary literature master meaning metafiction mind moral myth narrative narrator nature never novel objective original Pao-yü past person poem poetic poetry poets political present Press psychological question reader reading reason reference regard relation seems sense significance signs sincerity social society story structure Tai-yü theory things tion traditional translation true truth turn University various Wang Western whole writing York