Dan jiang ping lun, 第 19 卷Graduate School of Western Languages and Literature, Tamkang University, 1989 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 26 筆
第 548 頁
... beginning and the ending of the story , and , in fact , the ending functions as a gloss to the beginning . Ch'i - ch'iao , the protagonist , at the conclusion of the story , lies languidly in an opium stupor , realizing she has hated ...
... beginning and the ending of the story , and , in fact , the ending functions as a gloss to the beginning . Ch'i - ch'iao , the protagonist , at the conclusion of the story , lies languidly in an opium stupor , realizing she has hated ...
第 817 頁
... beginning of the poem , is characteristic of the nature of lyric poetry . It is interesting to note that in the early formative days of the Chinese poetic tradition , already two distinct types of poetry had been formed and that , given ...
... beginning of the poem , is characteristic of the nature of lyric poetry . It is interesting to note that in the early formative days of the Chinese poetic tradition , already two distinct types of poetry had been formed and that , given ...
第 827 頁
... beginning ; and the third couplet ( lines 5-6 ) is called a ching ( neck ) couplet capable of turning the poem around in the sense of introducing something into the poem so as to direct our anticipation towards the wei ( tail ) couplet ...
... beginning ; and the third couplet ( lines 5-6 ) is called a ching ( neck ) couplet capable of turning the poem around in the sense of introducing something into the poem so as to direct our anticipation towards the wei ( tail ) couplet ...
內容
between Chinese and Foreign Literatures | 437 |
Goethes Faust in Four Chinese Translations | 467 |
Approaches to Translating Modern | 501 |
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