淡江評論, 第 26 卷Graduate School of Western Languages and Literature, Tamkang University, 1995 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 71 筆
第 5 頁
... character , the one reasonable , critical and outgoing ( Altangi ) , and the other mysterious , moody and secretive ( the Man - in - Black ) ( 34 ) . Extending this line of analysis further , Seamus Deane sees the characters as ...
... character , the one reasonable , critical and outgoing ( Altangi ) , and the other mysterious , moody and secretive ( the Man - in - Black ) ( 34 ) . Extending this line of analysis further , Seamus Deane sees the characters as ...
第 75 頁
... characters , finding their behavior insufficiently mo- tivated , are naturally caught up within the problematic of the play , but also have not learnt to read a dramatic text.2 But if we do not want to argue with the characters , we can ...
... characters , finding their behavior insufficiently mo- tivated , are naturally caught up within the problematic of the play , but also have not learnt to read a dramatic text.2 But if we do not want to argue with the characters , we can ...
第 53 頁
... characters results from the reader's mental synthesis of the juxtaposed characters . A character's exact part of speech and meaning arises from its relation to other characters . When I say poetic Chinese comes close to the Freudien ...
... characters results from the reader's mental synthesis of the juxtaposed characters . A character's exact part of speech and meaning arises from its relation to other characters . When I say poetic Chinese comes close to the Freudien ...
內容
AUTUMN WINTER 1995 NOS 1 | 1 |
SUMMER 1996 NO | 4 |
Literature Censorship And Democracy Rajeev Bhargava | 41 |
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American appears argued argument Backhouse become belonging called century China Chinese claim concept concerning Constitution constructed context continue contract course court created critics cultural death Diary difference discussion effect English ethnic example existence expression fact female force free speech give given hand human rights idea identity individual interest issue Japan Japanese kind language liberal literary literature means moral narrative narrator nature negativity never novel original particular performative person philosophical political pornography position possible practice present Press problem produced question reader reading reality reference relation represented responsibility sense social society species speech story structure suggest Tanabe texts tradition translation treason truth understand United University Western whole woman women writing York