淡江評論, 第 26 卷Graduate School of Western Languages and Literature, Tamkang University, 1995 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 56 筆
第 106 頁
... space as follows ; How and through what moment of time does space enter into time ? This moment is the past , the moment in time that , so to say , negates time . Through the past , space enters into time . As we have seen , space ...
... space as follows ; How and through what moment of time does space enter into time ? This moment is the past , the moment in time that , so to say , negates time . Through the past , space enters into time . As we have seen , space ...
第 306 頁
... space , this does not mean that we should give up the efforts to set up official censorship with a more dialogical ... space . I decline to call this " public censorship " because in a way I still believe that even though a censorial ...
... space , this does not mean that we should give up the efforts to set up official censorship with a more dialogical ... space . I decline to call this " public censorship " because in a way I still believe that even though a censorial ...
第 24 頁
... space is organ- ized in such a way that " would operate to transform individuals ” . His inspection lays bare the process of how social authority deploys mi- nor , local and nonviolent mechanisms ( such as the organized space of a ...
... space is organ- ized in such a way that " would operate to transform individuals ” . His inspection lays bare the process of how social authority deploys mi- nor , local and nonviolent mechanisms ( such as the organized space of a ...
內容
AUTUMN WINTER 1995 NOS 1 | 1 |
SUMMER 1996 NO | 4 |
Literature Censorship And Democracy Rajeev Bhargava | 41 |
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常見字詞
American appears argued argument Backhouse become belonging called century China Chinese claim concept concerning Constitution constructed context continue contract course court created critics cultural death Diary difference discussion effect English ethnic example existence expression fact female force free speech give given hand human rights idea identity individual interest issue Japan Japanese kind language liberal literary literature means moral narrative narrator nature negativity never novel original particular performative person philosophical political pornography position possible practice present Press problem produced question reader reading reality reference relation represented responsibility sense social society species speech story structure suggest Tanabe texts tradition translation treason truth understand United University Western whole woman women writing York