Notes from the Pianist's BenchYale University Press, 2000年1月1日 - 223 頁 Boris Berman, an internationally known Russian-trained concert pianist and highly respected teacher, here draws on his vast experience to explore issues of piano technique and music interpretation. Combining explanations and advice with anecdotes about his students, colleagues, and former teachers, he also provides many insights into the psychological aspects of musical performance and the teaching of music. Berman thoroughly examines such practical matters in piano playing as sound and touch, technique, pedaling, and articulation. He gives tips on choosing editions, selecting the best fingering, memorizing, and making the most efficient use of practice time. He gives equal emphasis to issues of interpretation, discussing ways to decipher the inner content of a piece of music. And he offers suggestions about how to prepare emotionally for a performance, how to confront stage anxiety, and how to adapt teaching approaches to the individual students. Informative and entertaining, this book will be welcomed by piano students, teachers, and anyone else interested in the art of piano playing. |
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achieve approach arpeggios articulation artist B-flat Bach Bach's Baroque Baroque music bars bass basso continuo beats becomes Beethoven Beethoven sonatas beginning bigger joints Boris Berman Brahms Brahms's changes chapter character Chopin chords composer composer's composition Concerto create cresc crescendo Debussy develop diminuendo downbeat dynamic E-flat Major eighth notes elbow emotional example feeling fingers forearm frequently G Major G Minor goal Gyorgy Sandor hand harmonic harpsichord important indications instance instrument Josef Lhevinne keyboard learning legato Lev Oborin listening melodic line melody memory ment metronome mind move Mozart musicians Neuhaus Oborin one's passage performer performer's phrase pianist pianist needs Piano Playing piece poco position practice Prelude produce Prokofiev Rachmaninov repertoire requires resonant result rhythm rhythmic rubato Sandor Schubert Schumann score second movement Shostakovich slurs Sometimes sonority sound speed stage string student style switch teacher technical technique tempo texture tion touch violin Well-Tempered Clavier wrist