Endquote: Sots-art Literature and Soviet Grand StyleMarina Balina, Nancy Condee, Evgeniĭ Aleksandrovich Dobrenko Northwestern University Press, 2000 - 241 頁 Sots-art, the mock use of the Soviet ideological clichés of mass culture, originated in Soviet nonconformist art of the early 1970s. An original and provocative guide, Endquote: Sots-Art Literature and Soviet Grand Style examines the conceptual aspect of sots-art, sots-art poetry, and sots-art prose, and discusses where these still-vital intellectual currents may lead. |
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第 1 到 3 筆結果，共 27 筆
第 14 頁
... Stalin should not have been dethroned after his death , but rather carried into a higher , sacred dimension . If only the heirs of Stalin had thought to announce that he had ascended to heaven and that his remains had healing powers for ...
... Stalin should not have been dethroned after his death , but rather carried into a higher , sacred dimension . If only the heirs of Stalin had thought to announce that he had ascended to heaven and that his remains had healing powers for ...
第 22 頁
... Stalin accomplished what Khlebnikov , Mayakovsky , Meyerhold , and Malevich dreamt of : transforming life into a work of art . At that point , artists themselves become superfluous and are sub- ject to " removal " : the greatest and ...
... Stalin accomplished what Khlebnikov , Mayakovsky , Meyerhold , and Malevich dreamt of : transforming life into a work of art . At that point , artists themselves become superfluous and are sub- ject to " removal " : the greatest and ...
第 64 頁
... Stalin , and Krupskaya , while the supporting cast includes Martov , Plekhanov , and the nonexistent mem- bers of their families . Prigov's “ un - prose " is folklore , but it is Soviet folklore , which became a part of the socialist ...
... Stalin , and Krupskaya , while the supporting cast includes Martov , Plekhanov , and the nonexistent mem- bers of their families . Prigov's “ un - prose " is folklore , but it is Soviet folklore , which became a part of the socialist ...
內容
Text as a ReadyMade Object | 32 |
The Reading Understanding | 46 |
Chronotypes of SotsArt | 58 |
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absolute absurd aesthetic Aleksandr artistic avant-garde becomes Boris Boris Groys Card chaos Chapaev characters chronotype clichés communist conceptualist consciousness construction context creating deconstruction devices dialectics discourse Dmitrii Aleksandrovich Dobrenko Dostoevsky's Druk Erik Bulatov everything Evgenii Groys hero hyperreality ideology individual Kabakov Kibirov Komar and Melamid language late Soviet Lenin Lev Rubinshtein Lipovetsky literary mass meaning menippea Mikhail Epstein modern modernist Moscow Moscow conceptualism myth mythology narrative newspaper novel Number OBERIU object Palisandr Palisandria parody Pelevin perestroika poem poet poetic poetry Policeman Popov postmodernist Prigov prose Pushkin quotation reader reading reality ritual Russian culture Russian literature Russian postmodernism semantics social socialist realism Sokolov's Sorokin sots-art sots-artists Soviet culture space speech Stalin Stalinist story structure style stylistic Timur Timur Kibirov tion totalitarian tradition transformation transition turn utopian Viktor Viktor Pelevin visual Vladimir Vladimir Sorokin words writing Европе темный товарищи тут до утра утра Призрак