淡江評論, 第 35 卷Graduate School of Western Languages and Literature, Tamkang University, 2004 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 11 筆
第 69 頁
... Campion's rare concession to the possibility of male transformation in Holy Smoke. In most of her films Campion has focused exclusively on female growth; male figures exist merely as either facilitators or detractors to such growth ...
... Campion's rare concession to the possibility of male transformation in Holy Smoke. In most of her films Campion has focused exclusively on female growth; male figures exist merely as either facilitators or detractors to such growth ...
第 79 頁
... Campion herself has stressed, In the Cut is about probing "the romantic myth in Western society,"20 if it is a story ... Campion's sexual stagings are constantly just one image away from the truly "sexual." In a film set in post-9/11 New ...
... Campion herself has stressed, In the Cut is about probing "the romantic myth in Western society,"20 if it is a story ... Campion's sexual stagings are constantly just one image away from the truly "sexual." In a film set in post-9/11 New ...
第 84 頁
... Campion's The Piano." Toward Cinema and Its Double: Cross-Cultural Mimesis. Bloomington: Indiana UP, 2001. 24-48 ... Campion's Passage to India." Film Comment (Jan/Feb 2000): 30-36. Polan, Dana. Jane Campion. London: BFI, 2001 . Schickel ...
... Campion's The Piano." Toward Cinema and Its Double: Cross-Cultural Mimesis. Bloomington: Indiana UP, 2001. 24-48 ... Campion's Passage to India." Film Comment (Jan/Feb 2000): 30-36. Polan, Dana. Jane Campion. London: BFI, 2001 . Schickel ...
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