淡江評論, 第 35 卷Graduate School of Western Languages and Literature, Tamkang University, 2004 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 12 筆
第 264 頁
... Hitchcock's filmmaking have not strayed far from the assumption of Hitchcock as author of a unified body of work. This unwavering disciplinary gaze has rarely, however, lingered long on Hitchcock's journey to the French Riviera in To ...
... Hitchcock's filmmaking have not strayed far from the assumption of Hitchcock as author of a unified body of work. This unwavering disciplinary gaze has rarely, however, lingered long on Hitchcock's journey to the French Riviera in To ...
第 271 頁
... Hitchcock and his crew. Clearly the producers intended to take advantage of the location for the sake of authenticity. However, the combination of a camera (the double-frame Vista-Vision format) with which Hitchcock had never before ...
... Hitchcock and his crew. Clearly the producers intended to take advantage of the location for the sake of authenticity. However, the combination of a camera (the double-frame Vista-Vision format) with which Hitchcock had never before ...
第 283 頁
... Hitchcock, To Catch a Thief creates the conditions that will make Hitchcock the constant object of the disciplinary gaze he has become. Vanishing mediators only function properly by appearing as "aberrations or excesses" that must ...
... Hitchcock, To Catch a Thief creates the conditions that will make Hitchcock the constant object of the disciplinary gaze he has become. Vanishing mediators only function properly by appearing as "aberrations or excesses" that must ...
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