淡江評論, 第 35 卷Graduate School of Western Languages and Literature, Tamkang University, 2004 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 76 筆
第 105 頁
... desire" (He 40), even though he immediately cautions against an unlimited indulgence in sexual desire. A more radical stand is taken by Li Zhi when he affirms the need to be selfish (Li Zhi, Congshu 3: 32, 544). In the drive to assert ...
... desire" (He 40), even though he immediately cautions against an unlimited indulgence in sexual desire. A more radical stand is taken by Li Zhi when he affirms the need to be selfish (Li Zhi, Congshu 3: 32, 544). In the drive to assert ...
第 121 頁
... desire and institutionally sanctioned racial prejudices. Haskell Wexler, one of the most controversial cinematographers of the period, shoots the film such that it can convey its liberal-minded message through a realistic mise-en scene ...
... desire and institutionally sanctioned racial prejudices. Haskell Wexler, one of the most controversial cinematographers of the period, shoots the film such that it can convey its liberal-minded message through a realistic mise-en scene ...
第 141 頁
... desire, because they are the dark secrets of the whites who would prefer to delude themselves into believing 1) that all of their desires can be cured through consumer culture; and 2) that their desires are benign, compared to the ones ...
... desire, because they are the dark secrets of the whites who would prefer to delude themselves into believing 1) that all of their desires can be cured through consumer culture; and 2) that their desires are benign, compared to the ones ...
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