Heroines Without Heroes: Reconstructing Female and National Identities in European Cinema, 1945-1951Ulrike Siehlohr Bloomsbury Academic, 2000 - 212 頁 This anthology, which contains material from scholars of various national cinemas, explores a little-examined period of European film history (1945-1951) and places gender at the centre of struggles around national identity. The structure of the book is organized to facilitate comparisons, mainly to transcultural issues, but also for identifying variations between the cinemas. The overview essays examine the specific national context out of which representations of women in the immediate post-war period emerged, and the case studies analyze the appeal of emblematic stars such as Margaret Lockwood and Ana Mariscal. These European stars are analyzed in terms of the post-war conditions which were the making of them. |
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Amparo Rivelles Ana Mariscal Anna Magnani associated audiences Boule de suif bourgeois British cinema British Film Cage of Gold character choice contemporary context costume dramas critics cultural Dance Hall Dédée desire director embodied emotional fascist female stars femininity feminist femme fatale figure film noir Film ohne Titel film-making film's flashback folkloric musical France Francesco Francoist gender genre heroine Hildegard Knef Hollywood husband identified ideology immediate post-war Italy Jacques Becker Jean Knef's Labanyi Lockwood lover Luis Luis Marquina male Manèges marriage married masculinity melodrama Mertens Mertens's Mörder mother narrative national cinemas national identity Nazi neo-realism Occupation past patriarchal played political popular post-war films post-war period Presle Presle's Rains on Sunday realism reconstruction representation represented Resistance Roberto Rossellini role Rossellini rubble films scene sexual Signoret social Spain Spanish cinema spectator star image star persona story Straßenbekanntschaft Sünderin Susanne traditional wartime Wolfgang Staudte woman women Yves Allégret