淡江評論, 第 1 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1970 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 51 筆
第 54 頁
... reader's mental habits , it starts the reader on one line of thinking , i.e. searching for resemblance ( which is no doubt also there ) , a new line of thinking starts after reading about three verses , i.e. the reader be- gins to feel ...
... reader's mental habits , it starts the reader on one line of thinking , i.e. searching for resemblance ( which is no doubt also there ) , a new line of thinking starts after reading about three verses , i.e. the reader be- gins to feel ...
第 131 頁
... reader within the consciousness of the character . The reader was thus made a direct participant in the mental and sensory experience of the fictitious personality . This represented , in the novel , an extraordinary revolution in ...
... reader within the consciousness of the character . The reader was thus made a direct participant in the mental and sensory experience of the fictitious personality . This represented , in the novel , an extraordinary revolution in ...
第 62 頁
... reader brings to the reading of their poetry the same sort of experience , the same sort of enlightenment in order ... reader's attention to a particular point the poet would like to impress up- on the reader . The second reason is also ...
... reader brings to the reading of their poetry the same sort of experience , the same sort of enlightenment in order ... reader's attention to a particular point the poet would like to impress up- on the reader . The second reason is also ...
內容
Moral and Aesthetic Values | 3 |
Su Tungpos Poems on Wu Taotzu H C Chang | 15 |
The Grass Motif in Chinese Poetry Phillip S Y Sun | 29 |
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常見字詞
appears beautiful become beginning called century character China Chinese Chinese literature classical common Comparative Literature complete Crabbe criticism culture death drama East effect English example experience expression eyes face fact feel give grass haiku hand Hsien Hsüeh Jên-kuei human ideas imitation important influence instance interest kind language later leaves Liang literary living look matter means MICHIGAN mind nature never novel original painting period plays poem poetic poetry poets present Press Professor published quoted reader reason reference relations seems sense Shakespeare Shih similar songs spring stanza story style things thought tion tradition translation Ts'ao turn University verse West Western whole wife writing written