Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 44 筆
第 128 頁
... concept in the Chinese history of ideas and bring it into comparison with similar concepts in Romantic poetics , especially that of Coleridge . Liu Hsieh tells us that it is important for the creative mind to be in hsü - ching , to be ...
... concept in the Chinese history of ideas and bring it into comparison with similar concepts in Romantic poetics , especially that of Coleridge . Liu Hsieh tells us that it is important for the creative mind to be in hsü - ching , to be ...
第 132 頁
... concept of " negative capability . " He proposed this term and labored to define it as the capability of " being in uncertainties , Mysteries , doubts , without any irritable reaching after fact & reason " ( Bush 261 ) . This capability ...
... concept of " negative capability . " He proposed this term and labored to define it as the capability of " being in uncertainties , Mysteries , doubts , without any irritable reaching after fact & reason " ( Bush 261 ) . This capability ...
第 133 頁
... concept of imagination , James Liu implies that the main difference lies in the former's having a " quiescent or receptive mode " in addition to the latter's " active or projective mode " ( Theories 125 ) . This is , of course , a ...
... concept of imagination , James Liu implies that the main difference lies in the former's having a " quiescent or receptive mode " in addition to the latter's " active or projective mode " ( Theories 125 ) . This is , of course , a ...
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