The Principles of psychology v. 1, 第 1 卷

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Holt, 1890
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內容

I
1
II
12
III
71
V
94
VI
116
VIII
133
IX
171
XI
187
XV
273
XVI
384
XVII
439
XIX
463
XX
530
XXI
585
XXII
623
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XIII
212

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第 333 頁 - For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception, and never can observe anything but the perception.
第 464 頁 - ... lies quite on the other side, in separating carefully one from another, ideas wherein can be found the least difference, thereby to avoid being mis-led by similitude, and by affinity, to take one thing for another.
第 273 頁 - In its widest possible sense, however, a man's Self is the sum total of all that he CAN call his, not only his body and his psychic powers, but his clothes and his house, his wife and children, his ancestors and friends, his reputation and works, his lands and horses, and yacht and bank-account.
第 115 頁 - Well! he may not count it, and a kind Heaven may not count it; but it is being counted none the less. Down among his nerve cells and fibers the molecules are counting it, registering and storing it up to be used against him when the next temptation comes.
第 109 頁 - Habit is thus the enormous fly-wheel of society, its most precious conservative agent It alone is what keeps us all within the bounds of ordinance, and saves the children of fortune from the envious uprisings of the poor.
第 333 頁 - If any one upon serious and unprejudiced reflection, thinks he has a different notion of himself, I must confess I can reason no longer with him. All I can allow him is, that he may be in the right as well as I, and that we are essentially different in this particular. He may, perhaps, perceive something simple and continued, which he calls himself; though I am certain there is no such principle in me.
第 334 頁 - The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind ; nor have we the most distant notion of the place where these scenes are represented, or of the materials of which it is composed.
第 114 頁 - ... intellectual way, has probably a relaxing effect upon the character. ' One becomes filled with emotions which habitually pass without prompting to any deed, and so the inertly sentimental condition is kept up. The remedy would be, never to suffer one's self to have an emotion at a concert, without expressing it afterward in some active way. Let the expression be the least thing in the world — speaking genially to one's aunt, or giving up one's seat in a horse-car, if nothing more heroic offers...
第 529 頁 - And everybody praised the Duke Who this great fight did win.' 'But what good came of it at last?' Quoth little Peterkin: — 'Why, that I cannot tell,' said he, 'But 'twas a famous victory.
第 276 頁 - But as the individuals who carry the images fall naturally into classes, we may practically say that he has as many different social selves as there are distinct groups of persons about whose opinion he cares.

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