Performance: Media and technologyPhilip Auslander Taylor & Francis, 2003 - 440 頁 This collection reflects not only the multidisciplinary nature of current thinking about performance, but also the complex and contested nature of the concept itself. |
內容
dramas of speculative thought | 3 |
the relation between science | 11 |
Verbal art as performance | 32 |
ethical dimensions of | 51 |
A performancecentered approach to gossip | 61 |
conversational performance | 75 |
Social dramas and stories about them | 108 |
Performance science | 149 |
performing presence absence | 234 |
a dramaturgy of radical activity | 253 |
dramaturgies of popular protest | 266 |
toward | 293 |
representation without | 320 |
Praxis and performativity | 336 |
Rhythm and the performance of organization | 353 |
The performance of production and consumption | 372 |
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action actors African-American American Américo Paredes analysis argues articulated audience Auschwitz Bakhtin Baudrillard become body Brecht Brechtian Certeau Chamula commess context conversational micropractices cultural dialogical discourse dominant dramaturgy essay Ethnography Ethnomethodology everyday example experience feminist Folklore Fordism formations gender genres gossip Holocaust HOWIE human identity ideology Jean Baudrillard labor language Living Color London Marx material means memory metaphor MICHAL Mikhail Bakhtin museum narrative Ndembu ontology organization performance play political postmodern practical consciousness practices of everyday praxis production protest relations representation reproduced rhythm Richard Bauman Richard Schechner ritual role Routledge script semiotic sense sexual Sherzer snapping social drama society space speaking spectacle spectator speech speech acts stage story structure symbolic synechdochic talk terror theatre theatrical theory tion traditional trans transformation turn University Press verbal art Vincentian words York