Tamkang Review, 第 31-32 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 2001 |
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第 1 到 3 筆結果,共 30 筆
第 143 頁
realities , to reconstruct the erased female identity , and to name the unspeakable female presence . As she addresses the No Name Woman as " my aunt , my forerunner " ( WW 8 ) , admiring her for defying conven- tions , breaking taboos ...
realities , to reconstruct the erased female identity , and to name the unspeakable female presence . As she addresses the No Name Woman as " my aunt , my forerunner " ( WW 8 ) , admiring her for defying conven- tions , breaking taboos ...
第 152 頁
... female figures as the swordswoman , Hua Mu Lan ( " The Tradition " 259 ) . Kingston uses the term “ talk- story " to refer to the oral tradition of narratives , which she transforms into her written text.22 This oral tradition that she ...
... female figures as the swordswoman , Hua Mu Lan ( " The Tradition " 259 ) . Kingston uses the term “ talk- story " to refer to the oral tradition of narratives , which she transforms into her written text.22 This oral tradition that she ...
第 154 頁
... female likeness , while underneath the self is the very opposite of what it is above " ( 181 ) . This statement fits Kingston's Mu Lan . David Leiwei Li suggests that the overt sexual depictions in The Woman Warrior be regarded as ...
... female likeness , while underneath the self is the very opposite of what it is above " ( 181 ) . This statement fits Kingston's Mu Lan . David Leiwei Li suggests that the overt sexual depictions in The Woman Warrior be regarded as ...
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American appeared Asian Balzac become beginning century characters Chin China Chinese Cochinchina Comparative concern considered continue critics culture death early economic edition emotion English essay European example experience expression fact Favre feeling female French future globalization hand human ideas Imagining important influence Jesuits Jesus kind Kingston Koffler language later leave lines literary literature living Lu Hsün means mind Miss Saigon mission narrative nature never Nora notes notion novel object original past period play poem poet poetry Poivre political present published readers reality Records refers reflection relations relationship represented rhetorical scene sense setting social society story studies theory thinking tion tradition translation Tzu-chün United University Vietnam West Western Woman Warrior women writing York