Tamkang Review, 第 31-32 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 2001 |
搜尋書籍內容
第 1 到 3 筆結果,共 20 筆
第 64 頁
... original ( of the two lines cited above ) is not clearly delineated at all . This can be an asset , for the reader is given much greater freedom to ruminate over their multiple relationships rather than being dictated by the tyranny of ...
... original ( of the two lines cited above ) is not clearly delineated at all . This can be an asset , for the reader is given much greater freedom to ruminate over their multiple relationships rather than being dictated by the tyranny of ...
第 68 頁
... original poem . Many English translations after Bynner have avoided relegating scenic description to the background like some stage prop . They often do so by approximating the fluid , open - ended syntax in the original Chinese text ...
... original poem . Many English translations after Bynner have avoided relegating scenic description to the background like some stage prop . They often do so by approximating the fluid , open - ended syntax in the original Chinese text ...
第 72 頁
... original text in Chinese . If to reduce scenic description to a mere meta- phor ( as found in this second type of the scene - feeling relationship ) , is to rob the scene of its life , then to render scene as simply a setting ( as in ...
... original text in Chinese . If to reduce scenic description to a mere meta- phor ( as found in this second type of the scene - feeling relationship ) , is to rob the scene of its life , then to render scene as simply a setting ( as in ...
其他版本 - 查看全部
常見字詞
American appeared Asian Balzac become beginning century characters Chin China Chinese Cochinchina Comparative concern considered continue critics culture death early economic edition emotion English essay European example experience expression fact Favre feeling female French future globalization hand human ideas Imagining important influence Jesuits Jesus kind Kingston Koffler language later leave lines literary literature living Lu Hsün means mind Miss Saigon mission narrative nature never Nora notes notion novel object original past period play poem poet poetry Poivre political present published readers reality Records refers reflection relations relationship represented rhetorical scene sense setting social society story studies theory thinking tion tradition translation Tzu-chün United University Vietnam West Western Woman Warrior women writing York