Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 5 筆結果,共 53 筆
... Beijing in the Late Nineteenth and Early Twentieth Centuries CHAPTER 5 / John Zou Cross-Dressed Nation: Mei Lanfang and the Clothing of Modern Chinese Men CHAPTER 6 / Tze-lan D. Sang The Transgender Body in Wang Dulu's Crouching Tiger ...
... Beijing opera—known socially as the xianggong—in the opening decades of the twentieth century. The authors argue that with China's cultural modernization, the once-common figure of the xianggong was effectively erased from history; it ...
... Beijing led to the disappearance of the xianggong's social role, and it was sparked not by any direct intervention by western powers, but instead by a new sensitivity on the part of Chinese intellectuals and officials to a perceived ...
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內容
Part II Contemporary Embodiments | 113 |
Contemporary Taiwan | 177 |
Transnational Incorporations in Hong Kong Cinema | 218 |
Bibliography | 253 |
Filmography | 277 |
Contributors | 279 |
Index | 283 |