Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 5 筆結果,共 34 筆
... martial arts fiction rather than May Fourth classics, or to the cross-dressing of popular entertainer Mei Lanfang rather than the agonized national body inscribed by Lu Xun produces a very distinct view of the experiences and meanings ...
... martial masculinity). This approach should be carefully distinguished from a transhistorical approach, which would disregard historical specificity to propose that cultural phenomena persist, unchanging, through time eternal. In ...
... martial arts novels of the early 1940s. Sang proposes that the transgender or ''intersexual'' body of Yu Jiaolong, the hard-fighting hero/ine of Wang's novel Crouching Tiger, Hidden Dragon, bespeaks the survival of a late imperial ...
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內容
Part II Contemporary Embodiments | 113 |
Contemporary Taiwan | 177 |
Transnational Incorporations in Hong Kong Cinema | 218 |
Bibliography | 253 |
Filmography | 277 |
Contributors | 279 |
Index | 283 |