Embodied Modernities: Corporeality, Representation, and Chinese CulturesFran Martin, Ari Larissa Heinrich University of Hawaii Press, 2006年7月31日 - 300 頁 From feminist philosophy to genetic science, scholarship in recent years has succeeded in challenging many entrenched assumptions about the material and biological status of human bodies. Likewise in the study of Chinese cultures, accelerating globalization and the resultant hybridity have called into question previous assumptions about the boundaries of Chinese national and ethnic identity. The problem of identifying a single or definitive referent for the "Chinese body" is thornier than ever. |
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第 1 到 5 筆結果,共 48 筆
... theater, and the focus on popular cultural forms and popular responses to other cultural forms continues through Part II. Looking to martial arts fiction rather than May Fourth classics, or to the cross-dressing of popular entertainer ...
... effectively erased from history; it was omitted from both the emergent sexological discourse of homosexuality as tongxing'ai, and from new official histories of Chinese national theater. In discussing INTRODUCTION 15.
... theater. In discussing the decline of the xianggong, Wu and Stevenson touch on a theme common to several of the essays in the first part of the volume: the response of Republican Chinese intellectuals to the crisis of the semi-colonial ...
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內容
Part II Contemporary Embodiments | 113 |
Contemporary Taiwan | 177 |
Transnational Incorporations in Hong Kong Cinema | 218 |
Bibliography | 253 |
Filmography | 277 |
Contributors | 279 |
Index | 283 |