中国现代文学Foreign Language Publications, 2004 |
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第 1 到 3 筆結果,共 28 筆
第 153 頁
... Guo's Romantic aesthetics as complete and resolved - that is , as a defiant but upwardly spiraling movement , as a dialectical totality - Guo's contrary tendencies for the sublime and the beautiful in his evocation and recasting of the ...
... Guo's Romantic aesthetics as complete and resolved - that is , as a defiant but upwardly spiraling movement , as a dialectical totality - Guo's contrary tendencies for the sublime and the beautiful in his evocation and recasting of the ...
第 164 頁
... ( Guo 1982a : 18-19 ) Guo's refiguration of Qu Yuan as the Chinese poet sublime is undoubtedly part of the quest for the great of both content and form and the moral pathos of Guo's times . The project of re - erection , for Guo Moruo ...
... ( Guo 1982a : 18-19 ) Guo's refiguration of Qu Yuan as the Chinese poet sublime is undoubtedly part of the quest for the great of both content and form and the moral pathos of Guo's times . The project of re - erection , for Guo Moruo ...
第 176 頁
... Guo affective identifica- tion between Qu and the audience , is the shedding of tears : nondiscriminating , all - embracing , all - cleansing tears . With these tears , Guo Moruo seeks to avoid for Qu , and for Guo's own sublime play ...
... Guo affective identifica- tion between Qu and the audience , is the shedding of tears : nondiscriminating , all - embracing , all - cleansing tears . With these tears , Guo Moruo seeks to avoid for Qu , and for Guo's own sublime play ...
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