中国现代文学Foreign Language Publications, 2004 |
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第 1 到 3 筆結果,共 61 筆
第 6 頁
... female voice passive and erotic involved a " double impersonation , " that is , impersonating the male impersonation of the female voice ( Liu N. 1998a : 29 ) . Adoption of an explicitly masculine voice constituted an alternative ...
... female voice passive and erotic involved a " double impersonation , " that is , impersonating the male impersonation of the female voice ( Liu N. 1998a : 29 ) . Adoption of an explicitly masculine voice constituted an alternative ...
第 37 頁
... female - centered worldview is interestingly unilateral in " To the tune Ling long yu , " where the deities are exclusively female and the scenes and actions are free of any male participation . Indeed , throughout her poems about the ...
... female - centered worldview is interestingly unilateral in " To the tune Ling long yu , " where the deities are exclusively female and the scenes and actions are free of any male participation . Indeed , throughout her poems about the ...
第 52 頁
... female , not , as tradition would have it , an ambitious man frustrated by mortality and the passing of time . The first line of the second stanza explicitly refers to the author's past experience of visiting Rome , but in the second ...
... female , not , as tradition would have it , an ambitious man frustrated by mortality and the passing of time . The first line of the second stanza explicitly refers to the author's past experience of visiting Rome , but in the second ...
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Ah Q Ah Q's appear become Beijing body character Chen China collection colonial contemporary critical critique cultural death desire discourse discussion documentary emotion essay expressed fact feeling female feminine fiction figure Fourth gender hand Hong human identity ideological images important intellectuals Japanese Jiang language Liang literary literature look Lu Xun Lü's male means Miss modern Chinese movement narrative narrator national character nature nianhua notes original past play poem poet poetic poetry political present Press production published Qiu Jin question reading refers relation representation revolutionary sense sexual Shanghai shot social society Song space spirit story Studies style sublime sympathy Taiwan Taiwanese tion traditional translation True Story turn University University Press visual Wang woman women writing Xun's Young Yuan Zhong