Tamkang Review, 第 22 卷1992 |
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第 1 到 3 筆結果,共 47 筆
第 51 頁
... called " vers libres , " in the French sense , as they are generally mere prose with only the graphic disposition of verse , but if we take into account the overall structure of the poems , they can indeed be called " poèmes en prose ...
... called " vers libres , " in the French sense , as they are generally mere prose with only the graphic disposition of verse , but if we take into account the overall structure of the poems , they can indeed be called " poèmes en prose ...
第 55 頁
... called " sprung rhythm " : according to the translator himself , " each character in the Chinese is represented by a stress in the English ; but between the stresses , unstressed syllables are of course interposed . " 21 Second , the ...
... called " sprung rhythm " : according to the translator himself , " each character in the Chinese is represented by a stress in the English ; but between the stresses , unstressed syllables are of course interposed . " 21 Second , the ...
第 198 頁
... called painting " soundless " poetry , and , as the Sung poet Ou - yang Hsiu said , pre- ferred to " read a poem , like .. a painting . ' Hans Frankel described the relationship between these two sister arts as one of " convertibility ...
... called painting " soundless " poetry , and , as the Sung poet Ou - yang Hsiu said , pre- ferred to " read a poem , like .. a painting . ' Hans Frankel described the relationship between these two sister arts as one of " convertibility ...
內容
Problematics of An International Literary | 1 |
Kieng Long and Western Letters A Owen Aldridge | 17 |
Translation and Reception of Chinese Poetry | 43 |
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