Tamkang Review, 第 22 卷1992 |
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第 1 到 3 筆結果,共 18 筆
第 62 頁
... limits of actual nature , the inauthetic goes beyond every limit . . . and per- suades himself that mere wild play of imagination is all that makes for poetic inspiration . To the true poetic genius , who abandons actuality only for the ...
... limits of actual nature , the inauthetic goes beyond every limit . . . and per- suades himself that mere wild play of imagination is all that makes for poetic inspiration . To the true poetic genius , who abandons actuality only for the ...
第 74 頁
... Limits , " we recognize that the poet has really these two dimensions in his spiritual vista , which are the ' limit ' of ' unknown ' , an indeterminable subject , and the revelation of a retrieved ' lost song ' , that is , " mystery ...
... Limits , " we recognize that the poet has really these two dimensions in his spiritual vista , which are the ' limit ' of ' unknown ' , an indeterminable subject , and the revelation of a retrieved ' lost song ' , that is , " mystery ...
第 235 頁
... limit " is chin , which has the min - cup ( dish , plate , saucer ) radical on the bottom and the hand - radical on ... limit ( ed ) , " as in the antelope passage where yu chin ( " having limit " ) is contrasted with . wu ch'iung ( " no ...
... limit " is chin , which has the min - cup ( dish , plate , saucer ) radical on the bottom and the hand - radical on ... limit ( ed ) , " as in the antelope passage where yu chin ( " having limit " ) is contrasted with . wu ch'iung ( " no ...
內容
Problematics of An International Literary | 1 |
Kieng Long and Western Letters A Owen Aldridge | 17 |
Translation and Reception of Chinese Poetry | 43 |
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