Music Theory and the Exploration of the PastChristopher Hatch, David W. Bernstein University of Chicago Press, 1993 - 561 頁 In recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays—written by theorists and musicologists—that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship. In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century. Abundantly illustrated with musical examples, Music Theory and the Exploration of the Past offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art. |
搜尋書籍內容
第 1 到 5 筆結果,共 79 筆
第 9 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 24 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 25 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 32 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
第 33 頁
很抱歉,此頁的內容受到限制.
很抱歉,此頁的內容受到限制.
內容
Introduction | 1 |
1 Music Theory and Its Histories | 9 |
2 The Earliest Phases of Measured Polyphony | 41 |
3 Modal Strategies in Okeghems Miss Cuiusvis Toni | 59 |
A Step in Modal Analysis | 73 |
5 Mode and Counterpoint | 103 |
Prolegomena to the Defense of Don Nico | 137 |
Mutio Effrems Censuresopra il sesto libro de madrigali di Marco da Gagliano | 189 |
The First Movement of the Eroica Symphony | 357 |
13 Symmetry and Symmetrical Inversion in Turnof theCentury Theory and Practice | 377 |
Organicism and Analysis | 409 |
Schoenbergs Old Hat | 435 |
16 The New Education and Music Theory 19001925 | 449 |
17 Harmony as a Determinant of Structure in Weberns Variations for Orchestra | 473 |
Conposition and Theory in the Though of Stefan Wolpe | 505 |
Stravinskys Requiem Canticles as Russian Music | 525 |
其他版本 - 查看全部
常見字詞
alto analysis analytical appears Arnold Schoenberg Artusi B-flat bass Beethoven beginning Bologna Bottrigari breve cadence cadential cantus Capellen century chant chord chromatic element chromaticism coda combination commixture composer composition concept consonance context contrapuntal counterpoint Desiderio diatonic discant discussion dissonance Effrem enharmonic Ercole Bottrigari essay example F-sharp fantasy fifth final fourth Gagliano Goethe Halm harmonic hermeneutic hexachord historical Ibid idea intervals inversion madrigal major third Marco da Gagliano melodic Melone secondo Melone's minor modal mode Momigny Momigny's motet motive movement Mozart music theory musicians Musik notation notes octave passage phrase Piano Sonata piece pitch pitch classes plagal polyphony present presentist PVIs rhythm rhythmic scale Schenker serial seventh Sigonio sixth soggetto soprano species Stravinsky structure symmetrical tenor tetrachord thematic theme theoretical theorists tion tonal tonal problem tone tonic trans treatise triad twelve-tone variation vertical Vicentino voice Webern Wickersdorf Wolpe Zarlino