A Bushel of Pearls: Painting for Sale in Eighteenth-Century YangchowStanford University Press, 2001 - 314 頁 Painting in eighteenth-century Yangchow, a city that dominated the political and economic scene of mid-Qing China, has traditionally been viewed as the product of a group of nonconformist, "eccentric artists who were supported by wealthy merchants. This book, however, does not focus on the creative energy of the individual artist, the rise of the Yangchow school of painting, or patronage narrowly defined. Rather, it studies eighteenth-century Yangchow paintings as artistic products shaped by collective social and cultural experiences, and by constant exchanges between the artists and their audience. The author examines the paintings as commodities, revealing the mechanism of their exchange and the values negotiated, and she interprets the paintings in a framework that moves beyond economics into the social, political, historical, and literary contexts of their creation and appreciation. The book begins by considering merchant patrons long associated with the Yangchow school of painting, and goes on to reveal that there were patrons from lower socioeconomic levels who were, in fact, perhaps the major consumers of Yangchow painting. The author then discusses four artists who exemplify the diversity of backgrounds and artistic traditions of Yangchow painters and patrons. Fang Shih-shu represents the traditional scholar painter of conservative orthodox landscapes. Huang Shen, by contrast, represents painters with craftsman backgrounds who mingle the values of the literati with the technical skill of artisans. The last two painters, Cheng Hsieh and Chin Nung, represent the emergence of new types of artists who adopted painting as an occupation and commercialized both their artistic products and their personal cultural refinement and literati status. By reconstructing the economic lives of these artists, examining their social roles, identifying their networks of patronage, and investigating their aesthetic choices, this book illuminates the process of professionalization of the scholar-artist and the commodification of literati culture in late imperial China. |
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內容
Painting as a Commodity in Eighteenth | 1 |
Cultural Expression of | 17 |
The Last Orthodox Master in Yangchow | 64 |
The Old Master from Fuchien | 94 |
A ScholarOfficial Painter | 130 |
Man of Elegant and Vulgar Businesses | 163 |
常見字詞
active album Anhui antique artists bamboo blossoming plum brothers century Ch'en Ch'i Ch'ien-lung Ch'ing Ch'iu Ch'üan Tsu-wang Chang Cheng Hsieh Chiang Ch'un Chin Nung chin-shih Chin's Chinese Painting Chou Chung K'uei Chung-kuo collection color on paper contemporary cultural dated discussion dynasty eighteenth eighteenth-century Yangchow painting elegant elite Emperor Fang Shih-shu Fang's friends Fuchien garden guests handscroll Hanging scroll Hsiang Hsing-an Hsü Hua Yen Huang Shen income Inkstone inscription KLSS landscape lanterns late imperial China letters Li Shan literary gatherings literati painters masters Ming Ming dynasty Nung's official orchids Orthodox P'ing painters patronage patrons pleasure barges poems poet poetry popular recorded salt merchants scholars Shan Shih shu-hua social society Soochow style name Sung T'ang t'i-chi taels taels of silver Taipei talents taste Tokyo National Museum TYAPC Wang Wang Hui writing Yang-chou pa-kuai Yangzhou YCHFL Yüan Mei Yüeh-kuan