Social History of Art, Volume 1: From Prehistoric Times to the Middle AgesRoutledge, 2005年6月27日 - 330 頁 First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments. |
內容
Prehistoric times | 1 |
animism and geometrism | 8 |
art as a profession | 17 |
AncientOriental urban cultures | 22 |
The stereotyping of art in the Middle Kingdom | 31 |
Naturalism in the age of Akhenaton | 37 |
vi | 48 |
Greece and Rome | 49 |
The Middle Ages | 108 |
The artistic style of Byzantine Caesaropapism | 116 |
Causes and consequences of iconoclasm | 123 |
Art from the age of the migrations to the Carolingian | 128 |
The epic poets and their public | 142 |
81 | 150 |
The organization of artistic production in the monasteries | 152 |
Feudalism and the Romanesque style | 159 |
The archaic style and art at the courts of the Tyrants | 60 |
The production of copies 95 | 68 |
Classical art and democracy | 72 |
The age of enlightenment in Greece | 81 |
The Hellenistic | 91 |
The origin of the domestic comedy | 96 |
Poets and artists in the ancient world | 102 |
vii | 108 |
The romanticism of court chivalry | 175 |
142 | 184 |
152 | 191 |
The dualism of Gothic | 210 |
The middleclass art of the late Gothic period | 230 |
viii | 247 |