Hooked: Drug War Films in Britain, Canada, and the U.S.Routledge, 2010年9月13日 - 262 頁 Drug prohibition emerged at the same time as the discovery of film, and their histories intersect in interesting ways. This book examines the ideological assumptions embedded in the narrative and imagery of one hundred fictional drug films produced in Britain, Canada, and the U.S. from 1912 to 2006, including Broken Blossoms, Reefer Madness, The Trip, Superfly, Withnail and I, Traffik, Traffic, Layer Cake, Harold and Kumar Go to White Castle, Trailer Park Boys, and more. Boyd focuses on past and contemporary illegal drug discourse about users, traffickers, drug treatment, and the intersection of criminal justice with counterculture, alternative, and stoner flicks. She provides a socio-historical and cultural criminological perspective, and an analysis of race, class and gender representations in illegal drug films. This illuminating work will be an essential text for a wide range of students and scholars in the fields of criminology, sociology, media, gender and women’s studies, drug studies, and cultural studies. |
搜尋書籍內容
第 1 到 5 筆結果,共 71 筆
... drug users, addiction, traffickers, and criminal justice have entertained audiences. Drug prohibition emerged at the ... trafficking. The military authorities are depicted as ruthless and sadistic (evidenced by a torture scene). Scenes ...
... drugs into a vein in her foot. She has never injected drugs before. Afterwards, she lies back in the bed, oblivious to her surroundings, and he resumes having sex with her. Carolyn has hit rock bottom and the message in Traffic is very ...
... drugs narratives. Film, our contemporary mode of storytelling, provides both a ... Traffic (2000), respectively, and noting how very different they are (see ... drug films produced in Britain, Canada, and 7 the United States. I was ...
... drug movies—and the stories that film producers ignored. Whereas I examined drug myths in my earlier analysis of Traffic, in this study I wanted to look more closely at drug discourse, film narrative, and visual representations. I was ...
... drug representations. The criteria for my sample was simply any Canadian, British, or U.S. film with a focus primarily on illegal drugs, trafficking, and their consequences. Although their history differs, British, Canadian, and U.S. drug ...
內容
List of Film Stills | |
Broken Blossoms 36 | |
The Pace that Kills 46 | |
The Man with the Golden Arm 56 | |
CHAPTER 3 | |
The Panic in Needle Park 76 | |
A Nation Under Siege 112 | |
Cleopatra Jones 121 | |
Maria Full of Grace 139 | |
Vilified Women and Maternal Myths 146 | |
1980 to 2006 178 | |
Appendix 209 | 36 |
CHAPTER 6 | 2000 |
References 227 | 2008 |
CHAPTER 4 | |
Gridlockd 101 | |
Reefer Madness 147 | 2026 |
Index 241 | 2029 |