Hooked: Drug War Films in Britain, Canada, and the U.S.Routledge, 2010年9月13日 - 262 頁 Drug prohibition emerged at the same time as the discovery of film, and their histories intersect in interesting ways. This book examines the ideological assumptions embedded in the narrative and imagery of one hundred fictional drug films produced in Britain, Canada, and the U.S. from 1912 to 2006, including Broken Blossoms, Reefer Madness, The Trip, Superfly, Withnail and I, Traffik, Traffic, Layer Cake, Harold and Kumar Go to White Castle, Trailer Park Boys, and more. Boyd focuses on past and contemporary illegal drug discourse about users, traffickers, drug treatment, and the intersection of criminal justice with counterculture, alternative, and stoner flicks. She provides a socio-historical and cultural criminological perspective, and an analysis of race, class and gender representations in illegal drug films. This illuminating work will be an essential text for a wide range of students and scholars in the fields of criminology, sociology, media, gender and women’s studies, drug studies, and cultural studies. |
搜尋書籍內容
第 1 到 5 筆結果,共 72 筆
... produced in 1894, were only half a minute long and they were featured at penny arcades. Only stills exist of Chinese ... produce similar discourses about foreigners and racialized people. The popular U.S. film Traffic (2000) was heralded ...
... produced for entertainment and, above all, profit, and audiences learn about illegal drugs and justice from a myriad of sources. Yet friends and students at the university where I teach continually point to films as a frame of reference ...
... we imagine and portray the world we live in. It led me to write about the two films and to conduct a threeyear study of illegal-drug films produced in Britain, Canada, and 7 the United States. I was interested in the stories.
... produced in Britain, Canada, and the United States from 1912 to 2006 (see the Appendix for the full list of films). Because the British and Canadian film industries are smaller than the United States', U.S. films dominate in the sample ...
... produced between 1912 and 2006 in Britain, Canada, and the United States, drawing from critical criminology, feminist studies, and cultural criminology, I am able to provide a critical analysis of representations in drug films prior to ...
內容
List of Film Stills | |
Broken Blossoms 36 | |
The Pace that Kills 46 | |
The Man with the Golden Arm 56 | |
CHAPTER 3 | |
The Panic in Needle Park 76 | |
A Nation Under Siege 112 | |
Cleopatra Jones 121 | |
Maria Full of Grace 139 | |
Vilified Women and Maternal Myths 146 | |
1980 to 2006 178 | |
Appendix 209 | 36 |
CHAPTER 6 | 2000 |
References 227 | 2008 |
CHAPTER 4 | |
Gridlockd 101 | |
Reefer Madness 147 | 2026 |
Index 241 | 2029 |